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Illustration of Henri Gousse (1872-1914) in Le Rire, 31/08/07 - At the Moroccan camp - Germany Prussia, Morocco, Maghreb - Guillaume II

Illustration of Henri Gousse (1872-1914) in Le Rire, 31 / 08 / 07 - At the Moroccan camp - Germany Prussia, Morocco, Maghreb - Guillaume II


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Illustration of Henri Gousse (1872-1914) in Le Rire, 31/08/07 - At the Moroccan camp - Germany Prussia, Morocco, Maghreb - Guillaume II

ICA4861404 Illustration of Henri Gousse (1872-1914) in Le Rire, 31/08/07 - At the Moroccan camp - Germany Prussia, Morocco, Maghreb - Guillaume II by Gousse, Henri (1872-1914); (add.info.: Illustration of Henri Gousse (1872-1914) in Le Rire, 31/08/07 - At the Moroccan camp - Germany Prussia, Morocco, Maghreb - Guillaume II); Photo © Caricadoc

Media ID 31721676

© Caricadoc / Bridgeman Images

Arab Culture Binoculars East Prussia Henry Of Prussia Henry Of Prussia 1862 1929 Maghrebi Maghrebian Maghrebin Maghrebine Military Camp Moroccan Morocco Prussia Prussian Prussians William Ii 1859 1941 Afica Afric Arab Civilization Arabians Caricadoc Maghreb Prussia Prussian Years 1900


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EDITORS COMMENTS
The photograph captures an illustration by Henri Gousse, featured in the satirical magazine Le Rire on August 31st, 1907. The artwork depicts a scene at a Moroccan camp during the early twentieth century, showcasing the cultural exchange between Germany (specifically Prussia) and Morocco in the Maghreb region of North Africa. Intriguingly, Emperor Guillaume II of Germany is portrayed in this illustration, emphasizing his interest and involvement in Arab civilization. Gousse's engraving showcases the emperor observing through binoculars while surrounded by military personnel and traditional Moroccan costumes. This image sheds light on the colonialism prevalent during that era as well as highlighting German-French relations within Europe. It also offers insight into how Western powers engaged with African cultures during this time period. The artist's attention to detail and skillful execution bring this historical moment to life. The viewer can almost feel themselves transported back to that campsite amidst the vibrant atmosphere of cross-cultural interactions. Overall, this print serves as a valuable artifact from early twentieth-century history, providing us with a glimpse into an era marked by exploration, political alliances, and cultural exchanges between nations.

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