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The Parasol (chatra), from a Set of Initiation Cards (Tsakali), 14th / 15th century

The Parasol (chatra), from a Set of Initiation Cards (Tsakali), 14th  /  15th century


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The Parasol (chatra), from a Set of Initiation Cards (Tsakali), 14th / 15th century

The Parasol (chatra), from a Set of Initiation Cards (Tsakali), 14th/15th century

Heritage Images features heritage image collections

Media ID 24370875

© Heritage Art/Heritage Images

Buddhist Buddhists Card Folk Art Initiation Card Ink And Watercolour On Paper Na And Xef Naive Art Parasol Parasols Ritual Object Symbol Symbolic Tibet Tibetan Tibetan Buddhism Tsakali Card Tsakalis Umbrella Umbrellas Ve Art Accessories Accessory Fourteenth Century


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EDITORS COMMENTS
This print showcases "The Parasol (chatra), from a Set of Initiation Cards (Tsakali)" dating back to the 14th and 15th centuries. The intricate details and vibrant colors of this artwork truly come to life in this high-quality print. Originating from Tibet, this piece holds great significance in Buddhist culture. The parasol, or chatra, depicted here is not merely an accessory but a powerful symbol within Tibetan Buddhism. It represents protection and spiritual authority, often associated with enlightened beings. The artist's skillful use of ink and watercolor on paper brings out the beauty and depth of this religious artifact. Every brushstroke seems to convey devotion and reverence for the subject matter. Displayed against a backdrop of traditional clothing worn during that era, the parasol stands as a focal point amidst its surroundings. Its presence exudes elegance while evoking a sense of ancient wisdom. As we gaze upon this image, we are transported back in time to witness an important ritual object used during initiation ceremonies. This Tsakali card was part of a set designed to guide individuals through their spiritual journey. "The Parasol" serves as both an artistic masterpiece and a window into Tibetan heritage—a testament to the rich cultural history that continues to inspire us today.

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